As odd as it always seems, most people just love to sit together in a darkened theater, or in a darkened living room, getting scared witless by watching horror movies. The psychology of this trait is still a bit confusing, so that does not have to be deal with in depth here. But people sure do like scary movies, do they not?
Think about what kind of movie most would like to take a date to. Sure, the romantic comedy is the staple fare, but it is the scary flick that will get those two sitting all snuggly close and holding on to each other. And everybody just likes to be frightened when there is no real danger involved. It is like a roller coaster ride, fear without real fate involved.
But while they were screaming and jumping around like little kids in the dark, did they ever think about who is behind those films? What kinds of jobs could someone get that allowed them to make one of those films? Then instead of being just another geek at the film festival, they could have their own booth and be taking it to the bank by selling scary movies and memorabilia.
They know that there is money to be made scaring the pants off of people. So do the directors and producers of such fare. So how could a person actually make a living doing the same thing themselves? To begin, they could try for a job on a set. The thing about many scary movies is that they are on such a low budget that they are an easy way to get an entry-level film gig.
Perhaps a makeup artist could use some help with all of that fake blood getting splashed all over the set. At the very least they will need someone to help clean it up. And those makeup people need a break too, so if that is what you are into, think about doing ghouls, ghosts, and creepy things. Many very famous makeup artists started out doing cheap B-films in their hungrier days.
And writing a fright fest is possibly one of the easiest screenplays that can be done. When it comes right down to it, they are by and large formulaic, so a writer can copy the formula without plagiarizing another piece of work. And who knows? Some low budget independent horror films have gone on to be come huge franchises over time.
And as far as the acting goes, if an actor can scream really good, and if they are attractive enough, it should not be too hard to find a small role, in which the character gets killed off pretty early on in the film, and start building a resume reel thereby. Again, many of these types of films are very low budget, so the return in any work put into to them could be substantial.
The bottom line is that low budget films need low budget help. But that low budget has been known to turn into big bucks when the quirky little horror movies become box office bonanzas or video smashes. The world of movie making is hard to crack, but these types of films are a great tool to try with.
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